In her exhibition "La Divina Comedia", Rebecca Uliczka represents herself photographically, intertwining the questions of life in hiding places that shelter her, these nooks and crannies being ideal for reflection. Uliczka's photographic images are impregnated with a ghostly aura whose protagonist uses her own body as a pencil of light drawing on relaxed times. Alighieri's songs break the silence and lead her to generate abstractions where the blur is lost and blurs with the rooms portrayed. Will the artist look at the constructed canvases for the answers to the questions she has asked herself?

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Flor Acosta