Residual emerges from the intersection of what is discarded and what insists on remaining. The pieces in this exhibition are made from materials that once served another purpose: wood from urban pruning, broken tubes from solar heaters, motors extracted from broken printers. Each fragment preserves a material memory that, when reactivated, generates new forms of resonance, light, and movement.

Far from the logic of obsolescence, Residual proposes listening to what still vibrates. Everything in this collection seems to suggest that matter doesn't die out, but rather shifts: it changes frequency, body, function.
The residue ceases to be a passive remnant and becomes a poetic agent. In its transformation, an intermediate space opens up between the organic and the mechanical, between the natural and the manufactured. The exhibition invites us to contemplate this transition: to perceive how the seemingly inert holds within itself the possibility of a new vibration.

Residual is, ultimately, a reflection on the continuity of energy in matter. On the persistence of sound, light, and movement as echoes of a broader cycle where nothing is lost, only transformed.

 

 

 

Diego Liedo